 |
GARNET HERTZ Garnet Hertz is Canada Research Chair in Design and Media Arts, and is Associate Professor of Design at Emily Carr University. His art and research investigates DIY culture, electronic art and critical design practices. He has exhibited in 18 countries in venues including SIGGRAPH, Ars Electronica, and DEAF and has won top international awards for his work, including the Oscar Signorini Award in robotic art, a Fulbright award, and Best Paper Award at the ACM Conference on Human Factors in Computing Systems (CHI). He has worked as Faculty at Art Center College of Design and Research Scientist at the University of California Irvine. His research is widely cited in academic publications, and popular press on his work has disseminated through 25 countries including in publications like The New York Times, Wired, The Washington Post, NPR, USA Today, NBC, CBS, TV Tokyo and CNN Headline News. More info: http://conceptlab.com/ |
EDUCATION |
|
2009 |
PhD Program in Visual Studies, University of California Irvine Dissertation Title: Methodologies of Reuse in the Media Arts: Exploring Black Boxes, Tactics and Archaeologies Advisors: Mark Poster (Media Theory & Intellectual History), Peter Krapp (Film & Media Studies), Robert Nideffer (Interdisciplinary Arts), Cécile Whiting (Art History). |
2005 |
Critical Theory Emphasis Graduate Program, University of California Irvine |
2005 |
Master of Fine Arts in Arts Computation Engineering, University of California Irvine Concentration: Technology, art and robotics: "Animal-Machine" (199 page thesis) Project: Cockroach Controlled Mobile Robot Advisors: Simon Penny (Arts Computation Engineering), Mark Poster (Media Theory & Intellectual History), David Reinkensmeyer (Mechanical Engineering), Antoinette LaFarge (Studio Arts). |
1997 |
BFA, Studio Art (Magna Cum Laude), University of Saskatchewan, Canada |
EXHIBITIONS |
|
 forthcoming |
Glasgow International Biennial, co-curated by Sarah Cook Glasgow, Scotland |
2019 |
24/7, Somerset House, curated by Sarah Cook London, England |
2018 |
Nuit Noire 2018, Le laboratoire souterrain Paris, France |
2017 |
Digital Design Weekend, Victoria & Albert Museum London, UK |
2017 |
The Good Life: Liminal Festival, curated by Catalina Bolozan Bucharest, Romania |
2017 |
Internet Yami-Ichi, iMAL Centre for Digital Cultures and Technology Brussels, Belgium |
2017 |
Future Flux Festival, curated by Michelle Kasprzak Rotterdam, Netherlands |
2017 |
Media Democracy Day, curated by VIVO Media Arts Centre Vancouver, Canada |
2016 |
XXI Triennale di Milano Milan, Italy |
2016 |
All Around Us, Wood Street Galleries Pittsburgh, USA |
2015 |
International Symposium of Electronic Art 2015 Vancouver, Canada |
2014 |
Discovery Festival 2014, curated by Transnatural Amsterdam Tolhuistuin, Amsterdam, The Netherlands |
2014 |
Critical Machines, curated by Octavian Esanu AUB Byblos Bank Art Gallery, Lebanon, Beirut |
2013 |
Science Art 3, curated by Anush Zeynalyan The Central House of Artists, Moscow, Russia |
2013 |
Adhocracy, curated by Joseph Grima New Museum of Contemporary Art, NYC, USA |
2013 |
Adhocracy, curated by Joseph Grima Lime Wharf, London, UK |
2013 |
La Corporación Cultural Arte y Tecnología Santiago, Chilé |
2013 |
See Yourself Sensing, curated by Madeline Schwartzman Natalie & James Thompson Gallery, SJSU School of Art & Design, USA |
2012 |
Catalyst Arts Belfast, United Kingdom |
2011 |
Floor Arc, Other Gallery (2011-10, w/ ACADIA) The Banff Centre, Canada |
2011 |
Floor Cluster, Other Gallery (2011-07, w/ R.I.P.) The Banff Centre, Canada |
2011 |
NEXT 2011 Festival: Beautiful Mistakes Aarhus, Denmark |
2011 |
Trajector Art Fair, curated by Broodwork Brussels, Belgium |
2011 |
Made Up: Design's Fictions curated by Tim Durfee Wind Tunnel Gallery, Art Center, Pasadena, USA |
2010 |
IndieCade International Festival of Independent Games Los Angeles, USA |
2010 |
10.10.10 Experimental Media Art Festival Beall Center for Art & Technology, Irvine, USA |
2010 |
Make:Craft curated by Patricia Watts Ben Maltz Gallery, Los Angeles, USA |
2010 |
Out of the Garage Into the World / Green Prix curated by Steve Dietz 01SJ Biennial, San Jose, USA |
2010 |
NEXT 2010 Festival Aarhus, Denmark |
2009 |
In Memory of the Dead Media Handbook (Solo Exhibition) curated by Cristina Trivellin and Martina Coletti Studio D'Ars, Milan, Italy |
2008 |
Robotic Art - Studio D'Ars Oscar Signorini Prize Exhibition, with Haakon Faste & Shih Chieh Huang Curated by Cristina Trivellin and Martina Coletti, Milan, Italy |
2008 |
Evolution Haute Couture: Art and Science in the Post-Biological Age, curated by Dmitry Bulatov Moscow International Film Festival, Russia |
2007 |
Dutch Electronic Art Festival, DEAF07 Rotterdam, Netherlands |
2007 |
ZOO, with Amy Youngs & Ingrid Bachmann InterAccess, Toronto, Canada |
2007 |
Emergent Reaction, with Casey Reas, Simon Penny & Peter Cho San Luis Obispo, California, USA |
2006 |
STRP Festival Eindhoven, Netherlands |
2006 |
Latitude 53 Edmonton, Canada |
2005 |
The Art Formerly Known as New Media, curated by Sarah Cook & Steve Dietz Walter Phillips Gallery, Banff, Canada |
2005 |
Hybrid Creatures and Paradox Machines, directed by Gerfried Stocker Ars Electronica 2005, Linz, Austria |
2005 |
ArtBots 2005, curated by Douglas Repetto, Michael John Gorman, & Marie Redmond SJMC / The Ark, Dublin, Ireland |
2005 |
Hybrid Vigor 2005, organized by Simon Penny Beall Center for Art & Technology, Irvine, USA |
2004 |
Control and Communication in the Animal and the Machine (Solo Exhibition) Machine Project, Los Angeles, USA |
2004 |
Guerilla Studio SIGGRAPH 2004, Los Angeles, USA |
2004 |
Hybrid Vigor, organized by Simon Penny Beall Center for Art & Technology, Irvine, USA |
2003 |
Twitch, curated by Risa Horowitz, with David Rokeby Ace Art Inc., Winnipeg, Canada |
2003 |
The Uncanny: Experiments in Cyborg Culture, curated by Bruce Grenville, with Duchamp, Muybridge, Picasso & Stelarc Mendel Art Gallery, Saskatoon, Canada |
2003 |
Posthuman System #1: Cockroach with Wireless Video, curated by Brenda Cleniuk (Solo Exhibition) Neutral Ground Gallery, Regina, Canada |
2002 |
Reload, curated by Hayal Pozanti & Mehmet Sinan Istanbul Contemporary Art Museum, Istanbul, Turkey |
2001 |
Ghost Town, curated by Gilles Hébert, Dan Ring, George Moppett, Noreen Neu, & Alexandra Stratulat Mendel Art Gallery, Saskatoon, Canada |
2001 |
Eyesyrup, curated by Neil Zakiewicz CADE 2001, Glasgow, Scotland |
2001 |
Pacemaker (exploring relationships through the computer interface), curated by Mary Cross Ed Video Media Arts Centre, Guelph, Canada |
1998 |
Digital Documentary, curated by Steve Dietz pARTs Photographic Arts, Minneapolis, USA |
1998 |
Arts Électioniques, 1re Biennale de Montréal, curated by Sylvie Parent Montréal, Canada |
1998 |
Cyberarts 98: .NET Participant, jurors: Broeckmann, De Kerckhove, Gehorsam, Ito, Simon Ars Electronica 1998, Linz, Austria |
1998 |
Images sur le web, jury chair: Maurice Benayoun IMAGINA 98, Monaco |
1997 |
Desktop IS, directed by Alexei Shulgin www.easylife.org/desktop/ |
1997 |
Incomplete Dislocations, curated by Liz Mac Dougall, Andreas Guibert, Julie Lapalme, & Bob Rogers Eye Level Gallery, Halifax, Canada |
1997 |
Web Projects, curated by Frank Teksum Atelier Nord, Oslo, Norway |
1996 |
Stretching the Negative, coordinated by Brenda Pelkey Gordon Snelgrove Gallery, Canada |
1995 |
Emporium (Solo Exhibition) AKA Gallery, Canada |
1995 |
Art on Site, curated by Brenda Burne Site specific installation, Saskatoon, Canada |
1995 |
TV/Grow (Solo Exhibition) AKA Gallery, Canada |
1995 |
Furniture Works AKA Gallery, Canada |
1994 |
Staging Identities Gordon Snelgrove Gallery, Canada |
1993 |
Organization of Saskatchewan Arts Councils, curated by Tim Nowlin Touring Exhibition, Canada |
1993 |
Bookworks Exhibition International, curated by Dik Campbell AKA Gallery, Canada |
AWARDS |
|
2019-2024 |
Canada Research Chair, Special Tier II Second Term Renewal ($500K) |
2014-2019 |
Canada Research Chair, Special Tier II ($500K) |
2014 |
Canadian Foundation for Innovation, John R. Evans Leaders Fund, ($80K) |
2014 |
SIGCHI Best of CHI Best Paper Award, CHI 2014 |
2013 |
National Science Foundation, Human-Centered Computing Grant ($500K), Co-Principal Investigator |
2012 |
National Science Foundation, Informal Science Education Pathways Grant ($250K), Principal Investigator |
2011 |
Vilém Flusser Theory Award 2011 Nominee, Transmediale, Berlin, Germany |
2010 |
01SJ Biennial, Commissioned Artwork, California |
2009 |
University of California Irvine, Humanities Summer Dissertation Fellowship |
2008 |
25th Oscar Signorini Prize (Robotic Art), Fondazione D'Ars Oscar Signorini Onlus, Milan, Italy |
2008 |
University of California Irvine, Dean of Humanities Research & Travel Award |
2007 |
Honorable Mention, Vida 9.0 Art & Artificial Life International Competition, Fundación Telefónica, Madrid, Spain |
2007 |
University of California Irvine, Dean of Humanities Research & Travel Award |
2006 |
California Institute for Telecommunications and Information Technology, Emulex Fellowship |
2006 |
University of California Humanities Research Institute, SECT 2006 Grant |
2005 |
Audience Choice Award, ArtBots 2005, Dublin, Ireland |
2005 |
The Canada Council for the Arts, Media Arts Travel Grant |
2005 |
The Saskatchewan Arts Board, Visual Arts Creative Production Grant |
2005 |
California Institute for Telecommunications and Information Technology, Emulex Fellowship |
2005 |
University of California Irvine, School of Humanities Regents' Fellowship |
2003 |
California Institute for Telecommunications and Information Technology, Research Fellowship |
2003 |
University of California Irvine Arts Computation Engineering Graduate Program, Academic Fellowship |
2003 |
Canada-U.S. Fulbright Program Foundation, Graduate Student Program Scholarship |
2002 |
The Canada Council for the Arts, Media Arts Production Grant |
2002 |
The Canada Council for the Arts, Media Arts Travel Grant |
2002 |
The Saskatchewan Arts Board, Media Arts Professional Development Grant |
1998 |
Today's 10 Most Innovative Sites Award, IMAGINA 98, Monaco |
1997 |
The Saskatchewan Arts Board, Visual Arts Creative Production Grant |
1997 |
University of Saskatchewan, BFA Distinguished Exhibition Award |
RESEARCH |
|
2014-current |
Canada Research Chair in Design and Media Arts Emily Carr University of Art + Design |
2015-current |
Director, The Studio for Critical Making Emily Carr University of Art + Design |
2013-2014 |
Associate Director, Evoke Lab (w/ Bowker, Knobel, Gregory) California Institute for Telecommunications and Information Technology, UC Irvine |
2012-2014 |
Research Scientist / Artist in Residence, Laboratory for Ubiquitous Computing and Interaction (w/ Dourish, Hayes) Department of Informatics, School for Information and Computer Sciences, UC Irvine |
2012 |
Co-Director, Values in Design Lab (w/ Bowker, Knobel, Gregory) Department of Informatics, School for Information and Computer Sciences, UC Irvine |
2011 |
Research Scientist / Artist in Residence, Laboratory for Ubiquitous Computing and Interaction (w/ Dourish, Hayes) Department of Informatics, School for Information and Computer Sciences, UC Irvine |
2010 |
Assistant Director, Computer Game Science Laboratory (w/ El Zarki, Scacchi) School of Information and Computer Sciences, UC Irvine |
2010 |
Postdoctoral Scholar (w/ Scacchi) Institute for Software Research, University of California Irvine |
2009 |
Mentor, Digital Content Lab (w/ ITVS) American Film Institute, Hollywood, California |
2006 |
Research Fellow, California Institute of Telecommunications and Information Technology University of California Irvine |
2006 |
Research Assistant, Transliteracies Project (w/ Alan Liu, UCSB English) UC Multi-Campus Research Group on the Technological, Social, and Cultural Practices of Online Reading |
2005 |
Graduate Student Researcher, Game Culture & Technology Lab (w/ Robert Nideffer) University of California Irvine |
2002 |
Artist in Residence (17 month term) Soil Digital Media Suite / Neutral Ground Gallery and Artist Centre |
TEACHING |
|
2019 |
Faculty: Graduate Design Studio II (GSMD 510) Emily Carr University of Art + Design |
2019 |
Faculty: NO SCHOOL NEVERS (Summer Program) Nevers, France |
2018 |
Faculty: Graduate Design Studio II, or How To Find the Meaning of Life (GSMD 510) Emily Carr University of Art + Design |
2017 |
Faculty: Critical Making and Electronic Objects - 3D/4D Design (DESN 321) Emily Carr University of Art + Design |
2016 |
Faculty: Critical Making - 3D Core Design Studio (DESN 211) Emily Carr University of Art + Design |
2015 |
Faculty: Critical Making - 3D/4D Design, w/ K. Doyle (DESN 321) Emily Carr University of Art + Design |
2014 |
Lecturer: Projects in Ubiquitous Computing (Informatics 148) University of California Irvine, School of Information and Computer Sciences |
2013 |
Lecturer: Critical Frameworks Media Design Practices, Art Center College of Design, Pasadena, California |
2013 |
Lecturer: Game Technologies & Interactive Media (ICS62) University of California Irvine, School of Information and Computer Sciences |
2013 |
Lecturer: Critical Frameworks (w/ Benjamin Bratton & Shannon Herbert) Media Design Practices, Art Center College of Design, Pasadena, California |
2012 |
Lecturer: Mobile & Ubiquitous Games (ICS163) University of California Irvine, School of Information and Computer Sciences |
2012 |
Faculty: Interfacing Code with the Physical World Values in Design 2012 Doctoral Workshop, University of California Irvine |
2011 |
Lecturer: Introduction to Civic & Community Engagement (US10) University of California Irvine, Department of Undergraduate Education |
2011 |
Lecturer: CNTV602 - Practice of Media Arts (3 weeks) Interdivisional Media Arts & Practice Program, School of Cinematic Arts, University of Southern California |
2011 |
Undergraduate Research Advisor: Doing Research in the Community (US100) University of California Irvine, Civic and Community Engagement Minor |
2010 |
Faculty Member: Adjunct Assistant Professor Media Design Program, Art Center College of Design, Pasadena, California |
2009 |
Teaching Assistant: Computer Games as Art, Culture, and Technology (US12) University of California Irvine, Department of Undergraduate Education (Interdisciplinary) |
2009 |
Faculty Member: Adjunct Assistant Professor Media Design Program, Art Center College of Design, Pasadena, California |
2008 |
Teaching Assistant: Computer Games as Art, Culture, and Technology (US12) University of California Irvine, Department of Undergraduate Education (Interdisciplinary) |
2007 |
Teaching Assistant: Computer Games as Art, Culture, and Technology (US12) University of California Irvine, Department of Undergraduate Education (Interdisciplinary) |
2002 |
Adjunct Professor: Introduction to Digital Media University of Regina, Department of Media Production and Studies |
2000 |
Instructor: Desktop Publishing Using Adobe Photoshop School of Information and Communications Technologhy, Saskatchewan Polytechnic |
ADVISING |
|
current |
Ryan Smith (Advisor, Master of Design) Emily Carr University of Art and Design, Canada |
current |
Yijun Guo (Advisor, Master of Fine Arts) Emily Carr University of Art and Design, Canada |
current |
Minka Stoyanova (External Advisor, Doctorate) School of Creative Media, City University of Hong Kong |
current |
Arielle Cerini (External Advisor, Doctorate) Doctor of Philosophy in Electronic Arts, Rensselaer Polytechnic Institue |
2019 |
Yufei/Michelle Yao (Advisor, Master of Design) Emily Carr University of Art and Design, Canada |
2019 |
Zexi/Tammy Tan (Advisor, Master of Design) Emily Carr University of Art and Design, Canada |
2018 |
Yana Boeva (External Advisor, Doctor of Philosophy) Department of Science & Technology Studies, York University, Canada |
2018 |
Rya Ding (Advisor, Master of Fine Arts) Emily Carr University of Art and Design, Canada |
2018 |
Emily Smith (Internal Committee Member, Master of Design) Emily Carr University of Art and Design, Canada |
2017 |
Arthur Or (External Advisor, Masters of Architecture) University of British Columbia, Canada |
2017 |
Matt Harkness (Advisor, Masters of Design) Emily Carr University of Art and Design, Canada |
2017 |
Scott Mallory (Advisor, Master of Fine Arts) Emily Carr University of Art and Design, Canada |
2016 |
Emit Snake-Beings (Doctoral Committee Member) Screen & Media Studies, University of Waikato, New Zealand |
2016 |
Samir Bhowmik (Opponent, Doctor of Arts) Aalto University School of Arts, Design and Architecture, Finland |
2016 |
Matthew Dalton (External Examiner, Master of Arts) Simon Fraser University, School of Interactive Art + Technology, Canada |
2015 |
Andrew Quitmeyer (Doctoral Committee Member) Georgia Tech, School of Literature, Media, and Communication |
2014 |
Greg Ahn, Ian Besler, Sangwoo Han, Gene Lee (Masters Thesis Committee Member) Art Center College of Design, Media Design Practices (Lab Track) |
2013 |
Jojo Chongjaroenjai, Jeremy Eichenbaum, Geoffrey Ka'alani, Jessica Lee (Masters Thesis Committee Member) Art Center College of Design, Media Design Practices (Lab Track) |
2012 |
Ricardo Bojorquez, Adam Fischbach, Chiao Ho, Matthew Manos, Dustin York (Masters Thesis Committee Member) Art Center College of Design, Media Design Program |
2012 |
Jessica Kao, Chantal Fry, Shawn Hoebeck, Ashkan Naderi (Multidisciplinary Design Program) University of California Irvine, Undergraduate Research Opportunities Program |
2012 |
Jonathan Chang, Muhammad Zaman, Mengna Zhang (Undergraduate Research Project) University of California Irvine, Informatics 148: Ubiquitous Computing Prototyping and Projects |
2012 |
Raymond Lam, Tu Nguyen, David Wang, William Yeh (Undergraduate Research Project) University of California Irvine, Informatics 148: Ubiquitous Computing Prototyping and Projects |
2011 |
David Resnick (Masters Thesis External Committee Member) University of California Irvine, Arts Computation Engineering Program |
2011 |
Chris Guevara, Vahan Hartooni, Nic LaJeunesse, Erik Olson (Undergraduate Research Project) University of California Irvine, Undergraduate Research Opportunities Program |
2011 |
Alex Braidwood, Daniel Lara, Hoon Oh, Julianne Weiss, Sue Yang (Masters Thesis Committee Member) Art Center College of Design, Media Design Program |
2011 |
Naiyu Chen, Diana Garcia, Noelia Hernandez, Chen-yu Lee, Brenda Ramirez (Multidisciplinary Design Program) University of California Irvine, Undergraduate Research Opportunities Program |
2010 |
Haelim Paek, Chris Lauritzen, Hyun Ju Yang, Haemi Yoon (Masters Thesis Committee Member) Art Center College of Design, Media Design Program |
2010 |
David Dinh, Chris Guevara (Undergraduate Research Project) University of California Irvine, Department of Informatics |
2009 |
Jessee Joseph, Matt Shigekawa, Mike Tang (Undergraduate Research Project) University of California Irvine, Department of Informatics |
2009 |
David Dinh, Chris Guevara, Erik Olson, Richard Vu, Matthew Wong (Undergraduate Research Project) University of California Irvine, Department of Informatics |
2008 |
Marc Thibeault, Landon Thompson, Dane Tress, Joel Thiessen, Curtis Strauss (Undergraduate Design Project) University of Saskatchewan, Department of Mechanical Engineering |
2008 |
Derek Visvanathan, Shaun Veroney, Adam Wilkinson, Jon Wiebe, Jackie Wang (Undergraduate Design Project) University of Saskatchewan, Department of Mechanical Engineering |
2008 |
Shane Berezowski, Brian Bauer, Akbar Aziz, Rocky Benz, James Bartel (Undergraduate Design Project) University of Saskatchewan, Department of Mechanical Engineering |
2008 |
Chris McCaig, Jason Lopinski, Thomas Mathacheril, Colby Mainil, Kyle Maynes (Undergraduate Design Project) University of Saskatchewan, Department of Mechanical Engineering |
WORKSHOPS |
|
2019 |
Digital Democracies Conference, with Gillian Russell and Craig Badke Simon Fraser University, organized by Wendy Chun |
2015 |
Maker Lab in the Humanities University of Victoria |
2015 |
Reemergent Media Research Lab The New School |
2014 |
Making Subjects Indiana University, USA |
2014 |
Inside Hackerspaces: NYC Resistor NYC Resistor, New York City, USA |
2014 |
Toy Hacking Workshop Santa Ana Public Library, Santa Ana, USA |
2014 |
Toy Hacking Workshop Girls Incorporated, Costa Mesa, USA |
2013 |
Critical Making: Montréal - Alternate Modes of Academic Publishing Sight + Sound Festival 2013, Montréal, Canada |
2013 |
Critical Making Stgo. Makerspace, Santiago, Chilé |
2013 |
Toy Hacking Workshop (init)together, Southern California Women in Computing Conference, Irvine, USA |
2013 |
Toy Hacking Workshop Santa Ana Public Library, Santa Ana, USA |
2013 |
Toy Hacking Workshop Verano After School Program, Irvine, USA |
2012 |
Critical Making I (Soldering), Critical Making II (Redesigning) Values in Design 2012 Doctoral Workshop, University of California Irvine |
2012 |
Toy Hacking Workshop Maker Carnival 2012, China Millennium Monument Museum of Digital Arts, Beijing, China |
2011 |
Toy Hacking Workshop Renuevo School, Huntington Park, California |
2011 |
Toy Hacking Workshop Verano After School Program, University of California Irvine |
2011 |
Making Lab: A Rough Introduction to Circuit Bending Media Design Program, Art Center College of Design, Pasadena, California |
2011 |
Zombie Media Workshop: Circuit Bending as Media Archaeology Transmediale 11, Berlin, Germany |
2010 |
Broadening the Digital Humanities: A Rough Introduction to Circuit Bending Institute for Multimedia Literacy, School of Cinematic Arts, University of Southern California |
2010 |
Making Lab: A Rough Introduction to Circuit Bending Media Design Program, Art Center College of Design, Pasadena, California |
2002 |
Instructor: HTML Code Soil Digital Media Suite, Canada |
2002 |
Instructor: Typeface Workshop Graphic Designers of Canada, SK North |
1996 |
Instructor: Introduction to Adobe Photoshop 3.0 The Photographer's Gallery, Canada |
LECTURES |
|
2019 |
Nelson Distinguished Speaker Series Lecture, Harvey Mudd College |
2019 |
Designing for People Lecture Series, University of British Columbia |
2019 |
NO SCHOOL NEVERS, France |
2017 |
Winchester School of Art, University of Southampton |
2017 |
University of Edinburgh |
2017 |
iMAL, Center for Digital Cultures & Technology |
2017 |
Parsons Paris |
2017 |
École nationale supérieure des Arts Décoratifs |
2017 |
Design Marabout, Centre Pompidou, Paris |
2017 |
VW Forum Berlin |
2017 |
Madeira Interactive Technologies Institute |
2017 |
VIVO Media Arts Centre, Vancouver Canada |
2016 |
Art Center College of Design, Graduate Graphic Design Program |
2016 |
School of Interactive Art and Technology, Simon Fraser University |
2016 |
University of Ottawa, Department of Visual Arts |
2016 |
WeMake Makerspace FabLab, Milan, Italy |
2016 |
Computer Science Department, HCI@UBC Lecture Series, University of British Columbia |
2015 |
VIVO Media Arts Centre, Canada |
2015 |
University of Victoria, The Pacific Centre for Technology and Culture (PACTAC) |
2015 |
Washington State University, Department of English |
2015 |
The New School, School of Media Studies |
2015 |
Simon Fraser University, School of Interactive Arts + Technology |
2015 |
Media Design Practices, Art Center, Pasadena, California |
2014 |
IT University, Copenhagen Denmark |
2014 |
Malmö University, Malmö Sweden |
2014 |
Xin Che Jian Hackerspace, Shanghai, China |
2014 |
Shenzhen Maker Faire, Shenzhen, China |
2014 |
Connected Learning Research Network, University of California Humanities Research Institute |
2013 |
National Center for Contemporary Art, Yekaterinburg, Russia |
2013 |
Nokia Design Center, Los Angeles, USA |
2013 |
Oblong Industries, Los Angeles, USA |
2013 |
Berkeley Institute for Design, UC Berkeley |
2013 |
Department of Media, Culture, and Communication, NYU |
2013 |
Department of Information Studies, UCLA |
2012 |
Occidental College |
2012 |
Interdivisional Media Arts & Practice Program, School of Cinematic Arts, USC |
2012 |
USC Annenberg Innovation Lab |
2012 |
Art Center Nabi, Seoul, Korea |
2012 |
Seoul National University, Seoul, Korea |
2012 |
Sejong University, Seoul, Korea |
2012 |
China Millennium Monument Museum of Digital Arts, Beijing, China |
2011 |
School of the Art Institute of Chicago, Art & Technology Program |
2011 |
University of Southern California, Integrated Media Arts and Practice PhD Program |
2011 |
Georgia State University, Ernest G. Welch School of Art and Design |
2011 |
Ohio State University, Art and Technology Program |
2011 |
University of California San Diego, Culture, Art and Technology Program |
2011 |
Georgetown University, Communication, Culture and Technology Graduate Program |
2010 |
University of California San Diego, Visual Arts, Interdisciplinary Computing and the Arts |
2010 |
Dorkbot San Francisco |
2010 |
University of California Irvine, Informatics Seminar, School for Information and Computer Sciences |
2010 |
01SJ Biennial, Out of the Garage Into the World |
2010 |
University of California Irvine, Department of Film & Media Studies |
2010 |
Penn State University, School of Visual Arts |
2010 |
University of North Texas, Initiative for Advanced Research in Technology and the Arts |
2010 |
University of North Texas at Dallas |
2009 |
Ball-Nogues Studio, Los Angeles Downtown Artwalk |
2009 |
University of Southern California, School of Cinematic Arts, Interactive Media Division |
2009 |
University of California Santa Barbara, Media Arts and Technology Graduate Program |
2008 |
University of Saskatchewan, Department of Art & Art History, Canada |
2007 |
Concordia University, Montréal, Canada |
2006 |
University of California San Diego, Interdisciplinary Computing in the Arts Lecture Series |
2006 |
Dorkbot Eindhoven, in conjunction with STRP Festival (Netherlands) |
2006 |
University of California Irvine, Emulex Fellows Lecture Series |
2006 |
University of California Irvine, Department of Dance |
2006 |
University of California Irvine, School of Engineering (EECS) |
2006 |
University of California Irvine, Informatics (Paul Dourish Research Group) |
2005 |
University of California Irvine, Department of Film & Media Studies |
2005 |
IEEE Sensors 2005: The 4th Institute of Electrical and Electronics Engineers International Conference on Sensors |
2005 |
California State University Long Beach, Art Department |
2005 |
University of Saskatchewan, Department of Computer Science Human Computer Interaction Lab |
2004 |
Dorkbot San Francisco, with demo at Survival Research Labs |
2004 |
University of California San Diego, Department of Visual Arts / Interdisciplinary Computing and the Arts |
2002 |
University of Regina, Department of Visual Art |
2002 |
University of Saskatchewan, Department of Commerce |
2001 |
University of Saskatchewan, Department of Art and Art History |
2001 |
InterAccess Electronic Media Arts Centre |
2000 |
University of Saskatchewan, Department of Engineering |
CONFERENCES |
|
2019 |
Society for Social Studies of Science Annual Meeting (4S) New Orleans, USA |
2018 |
32nd Annual Meeting of the Society for Literature, Science, and the Arts (SLSA '18) Toronto, Canada |
2018 |
2018 Conference on Maker Cultures (Conference Opening Lecture) Concordia University, Montreal, Canada |
2018 |
Public Pedagogies Institute Conference 2018 Victoria University, Footscray, Australia |
2018 |
For Whom The Medium Matters III (Keynote) Faculty of Information, University of Toronto, Canada |
2017 |
New Craft Symposium Emily Carr University, Vancouver, Canada |
2017 |
Moment of Truth: for a Reasonable Ecology between the Media (Marshall McLuhan and the Arts) Royal Academy of Art (KABK), The Hague, Netherlands |
2016 |
Unhanded: Making Under the Influence of Digitalism Artengine, Ottawa, Canada |
2016 |
Insuetude: Conversations in Technological Discard and Archaeological Recuperation Heyman Center for the Humanities, Columbia University, USA |
2014 |
Future Everything Manchester, England |
2014 |
Making Subjects Indiana University, USA |
2014 |
Modern Language Association (MLA) 2014 (Invited Respondent: Critical Making in Digital Humanities) Chicago, USA |
2013 |
FabLearn 2013 Digital Fabrication in Education Conference Stanford University, USA |
2013 |
2013 4S Conference of the Society for the Social Studies of Science (Panel Co-organizer with Matt Ratto: Critical Making) San Diego, USA |
2013 |
CHI 2013 (Workshop Co-organizer: Reclaiming Repair) Paris, France |
2013 |
Notacon 10 Cleveland, USA |
2012 |
Media Places: Infrastructure | Space | Media Umeå, Sweden |
2012 |
4A CreateTech2012 / Making = Thinking Los Angeles, California |
2012 |
First International Robot Art Conference (Keynote Speaker) Changwon, Korea |
2012 |
UCSD Experiential Learning Conference - Education in Action (STEM Panel) University of California San Diego |
2011 |
ACADIA 2011: Association for Computer Aided Design in Architecture (Keynote Speaker) The Banff Centre, Canada |
2011 |
R.I.P.: Recycling Pervasive Media, Intervening in Planned Obsolescence (Senior Artist) The Banff Centre, Canada |
2011 |
Democratic:Ability with Alison Powell, Nancy Mauro-Flude, Jürgen Neumann, and Tapio Mäkelä Transmediale 11, Berlin, Germany |
2011 |
Zombie Media: Circuit Bending Media Archaeology into an Art Method with Jussi Parikka Transmediale 11, Berlin, Germany |
2010 |
The 9th IEEE International Symposium on Mixed and Augmented Reality COEX / Art Center Nabi, Seoul, Korea |
2010 |
FDG'10: The 5th International Conference on the Foundations of Digital Games Asilomar Conference Grounds, Monterey, California, USA |
2009 |
DAC'09: After Media, Embodiment and Context Digital Arts and Culture 2009, UC Irvine, USA |
2009 |
Prospectives.09 International Digital Arts Festival University of Nevada, Reno, USA |
2009 |
Z-Axis: Technique, Collaboration, Innovation Paved Art & New Media, Canada |
2009 |
BIL2009: Where Is My Cyborg Self? California State University Long Beach, USA |
2008 |
CAA2008: College Art Association 96th Annual Conference Dallas, Texas, USA |
2008 |
GSFIR 2008: Forum on Interdisciplinary Research CalIT2, University of California Irvine, USA |
2007 |
Epicenter: University of California Digital Arts Research Network University of California Riverside, USA |
2007 |
GSFIR 2007: Forum on Interdisciplinary Research CalIT2, University of California Irvine, USA |
2005 |
Defense: Models, Strategies, Media. Organized by Peter Krapp, Felicity Scott, and Beatriz da Costa University of California Irvine, USA |
2002 |
ArtSci2002. Hosted by Art & Science Collaborations, Inc., The American Museum of Natural History & the Graduate Center of the City University of New York CUNY, New York City, USA |
2002 |
Bridges II International Consortium for the Study and Exploration of Interdisciplinary Collaborative Processes in Art, Culture, Science and Technology Banff New Media Institute, Canada |
2002 |
Crossing Over: Negotiating Specialization in an Interdisciplinary Culture University of Regina, Canada |
PUBLICATIONS |
|
forthcoming |
D.I.Y.: Electronic Countercurrents in Art and Design MIT Press (academic monograph, under contract, full draft under review) |
forthcoming |
Critical Making and Interdisciplinary Learning: Making as a Bridge Between Art, Science, Engineering and Social Interventions (Ratto & Hertz) The Critical Makers Reader: (Un)learning Technology. Institute of Network Cultures, Amsterdam. |
2019 |
Unpacking the Thinking and Making Behind a Slow Technology Research Product with Slow Game Odom, Bertran, Hertz, Lin, Chen, Harkness, Wakkary. Proceedings of the 2019 Conference on Creativity and Cognition (C&C '19) ACM |
2018 |
We Need Something Better Than The Maker Movement Neural (Critical digital culture and media arts), Issue 60 |
2018 |
Attending to Slowness and Temporality with Olly and Slow Game: A Design Inquiry Into Supporting Longer-Term Relations with Everyday Computational Objects Odom, Wakkary, Bertran, Harkness, Hertz, Hol, Lin, Naus, Tan, and Verburg. Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems (CHI '18) ACM |
2016 |
What is Critical Making? Critical Making: Theories, Models & Frameworks - Current 07 |
2016 |
A Short Guide to Material Speculation (w/ Wakkary, Odom, Hauser, and Lin) ACM Interactions XXIII.2 March + April 2016 |
2016 |
Material Speculation: Actual Artifacts for Critical Inquiry (w/ Wakkary, Odom, Hauser, and Lin) Aarhus 2015: Critical Alternatives |
2015 |
Conversations in Critical Making CTheory Books (Blueshift Series) |
2014 |
Archaeologies of Media Art Critical Digital Studies: A Reader (Second Edition), UTP |
2012 |
Critical Making (Book, Editor) Contributors include: Altman, Borgmann, Burdick, Charny, DiSalvo, Dougherty, Dourish, Ghazala, Jeremijenko, Monochrom, Levin, Losh, Malina, Miller, Pauline, Powell, Raby, Ratto, Snibbe, Wark, White. Telharmonium Press. |
2012 |
Zombie Media: Circuit Bending Media Archaeology into an Art Method (with Jussi Parikka) Leonardo 45:5, MIT Press |
2012 |
Art After New Media: Exploring Black Boxes, Tactics and Archaeologies Leonardo Electronic Almanac 17:2, DAC09: After Media: Embodiment and Context, MIT Press |
2012 |
Jeremy Bailey Interview, Electric Speed (Exhibition Catalog) Kate Armstrong (Editor), Surrey Art Gallery and New Forms Media Society |
2011 |
E.A.T.: An Interview with Billy Klüver, in Science, She Loves Me Mary Anne Moser, ed. Banff Centre Press |
2011 |
Five Principles of Zombie Media (with Jussi Parikka, editor: Benjamin Gaulon) DeFunct/ReFunct (Exhibition Catalogue, South Dublin Arts Centre), RUA RED |
2011 |
Arduino Microcontrollers & The Queen's Hamlet: Utilitarian & Hedonized DIY Practices in Contemporary Electronic Culture Integration Through Computation (ACADIA 2011 Proceedings), Taron et al. (Editors) |
2011 |
OutRun: Building the Un-Simulation of a Driving Video Game Make Magazine, O'Reilly Press |
2010 |
OutRun: Exploring Seamful Design in the Development of an Augmented Reality Art Project ISMAR 2010 Proceedings: The 9th IEEE International Symposium on Mixed and Augmented Reality |
2010 |
OutRun: Perversive Games and Designing the De-Simulation of Eight-Bit Driving FDG'10 Proceedings: The 5th International Conference on the Foundations of Digital Games |
2010 |
Arkeologi Seni Media: Percakapan antara Jussi Parikka dan Garnet Hertz Jurnal Footage: Filem Video Sinema Sosialita (Indonesian) |
2010 |
Visual Geographies (with Michele Teran and Kate Armstrong) BlackFlash - Canadian Journal of Photo-based and Electronic Art Production |
2010 |
Resetting Theory - Archaeologies of Media Art - Jussi Parikka in conversation with Garnet Hertz CTheory, Arthur and Marilouise Kroker, Editors |
2009 |
Methodologies of Reuse in the Media Arts: Exploring Black Boxes, Tactics and Archaeologies Digital Arts and Culture 2009 Proceedings, University of California Irvine |
2009 |
Methodologies of Reuse in the Media Arts: Exploring Black Boxes, Tactics and Archaeologies Doctoral Dissertation, Visual Studies Program, University of California Irvine |
2009 |
A Collection of Many Problems (In Memory of the Dead Media Handbook) 166 page bookwork, 4.25" x 6.875" perfect binding, Telharmonium Press |
2005 |
Animal-Machine Masters Thesis, Arts Computation Engineering, University of California Irvine |
2002 |
Interview with Steve Dietz BlackFlash - Canadian Journal of Photo-based and Electronic Art Production |
2002 |
E.A.T.: An Interview with Billy Klüver, in Explorations in Art and Technology Linda Candy and Ernest Edmonds, eds. London: Springer-Verlag |
2002 |
Le Parrain de l'art et de la technologie: un entretien avec Billy Klüver du groupe E.A.T. Archée Cybermensuel (French Translation: Kathleen Goggin & Pierre Robert) |
2002 |
Connexions: art, réseaux, média - Guide de l'étudiant en art Annick Bureaud, Nathalie Magnan. École nationale supérieure des beaux-arts |
1996 |
Fusion: The Electronic Journal of the Art and Technology Society International Editor |
1996 |
CyberStage Magazine - (Culture : Technology : Experience) Design Assistant |
CITATIONS |
|
current |
(citations after 2013 are not tracked) |
2013 |
Hybrid Biological-Digital Systems in Artistic and Entertainment Computing Wim van Eck and Maarten H. Lamers, Leonardo 46:2 (MIT Press) |
2012 |
What is Media Archaeology? Jussi Parikka, Polity Press |
2012 |
Understanding Digital Humanities David M. Berry (Editor), Palgrave Macmillan |
2012 |
Euphoria & Dystopia: Banff New Media Institute Dialogues Sarah Cook & Sara Diamond (Editors), Banff Centre Press |
2012 |
Why Simulate? Hybrid Biological-Digital Games Wim van Eck and Maarten H. Lamers, Applications of Evolutionary Computation: EvoApplications 2012 Proceedings |
2012 |
The Future of Research in Computer Games and Virtual Worlds: Workshop Report Walt Scacchi (Editor), Institute for Software Research, Technical Report UCI-ISR-12-8 |
2012 |
A Fracture in Reality: Networked Narratives as Imaginary Fields of Action and Dislocation Andrea Zapp, in The Mobile Audience: Media Art and Mobile Technologies, Martin Rieser (Editor) |
2011 |
The Transversal Generic: Media-Archaeology and Network Culture Kristoffer Gansing, The Fiberculture Journal (Issue 18) |
2011 |
Media Ecologies and Imaginary Media: Transversal Expansions, Contractions, and Foldings Jussi Parikka, The Fiberculture Journal (Issue 17) |
2011 |
Using Fast Interaction to Create Intense Experiences Joe Marshall & Steve Benford, The 2011 Annual Conference on Human Factors in Computing Systems (CHI '11), ACM |
2011 |
New Materialism as Media Theory: Medianatures and Dirty Matter Jussi Parikka, Communication and Critical/Cultural Studies, Routledge |
2011 |
H+/-: Transhumanism and Its Critics Gregory R. Hansell & William Grassie (Editors), Xlibris |
2011 |
An Insect Theory of Media: An Archaeology of Animals, Technology and Cultural Theory Jussi Parikka, University of Minnesota Press |
2011 |
A Cricket-Controlled Robot Orienting towards a Sound Source Wessnitzer et al., Towards Autonomous Robotic Systems 2011, Springer-Verlag Berlin Heidelberg |
2010 |
The Cybernetic Brain: Sketches of Another Future Andrew Pickering, University of Chicago Press |
2010 |
Art + Science Now: How Scientific Research and Technological Innovation Are Becoming Key to 21st-Century Aesthetics Stephen Wilson, Thames & Hudson |
2009 |
Hybrid Bionic Systems: Interfacing Insect Brains for Space Applications Di Pino et al., International Review of Neurobiology - Brain Machine Interfaces for Space Applications: Enhancing Astronaut Capabilities, Academic Press |
2009 |
Beyond Biomimetics: Towards Insect/Machine Hybrid Controllers for Space Applications Antonella Benvenuto et al., Advanced Robotics, Volume 23, Numbers 7-8, VSP |
2009 |
Beyond Design: Cybernetics, Biological Computers and Hylozoism Andrew Pickering, Synthese 168:469-491, Springer |
2009 |
The Companion to the Philosophy of Technology Jan Kyrre Berg Olsen, Stig Andur Pedersen, Vincent F. Hendricks (Editors), Blackwell Press |
2009 |
Art and Electronic Media (Themes & Movements) Edward A. Shanken, Phaidon Press |
2009 |
Leonardo's Choice: Genetic Technologies and Animals Carol Gigliotti, Springer |
2009 |
Machine Project Almanac Mark Allen, Lulu Press |
2008 |
Biologically Inspired Robots (Springer Handbook of Robotics) Jean-Arcady Meyer and Agnès Guillot, Springer Berlin Heidelberg |
2008 |
Six-Legged Soldiers: Using Insects as Weapons of War Jeffrey A Lockwood, Oxford University Press |
2008 |
Die Tryin': Videogames, Masculinity, and Culture (Popular Culture and Everyday Life) Derek A. Burrill, Peter Lang Publishing |
2008 |
Machine/Animal Hybrid Controllers for Space Applications Antonella Benvenutoa, Giovanni Di Pinoa, Fabrizio Sergia, Domenico Campoloa, Dino Accotoa, Giovanni Assenzab, Paolo Maria Rossinib and Eugenio Guglielmelli, European Space Agency |
2008 |
The Cyborg Fly: A Biorobotic Platform to Investigate Dynamic Coupling Effects Between a Fruit Fly and a Robot Graetzel, Medici, Rohrseitz, Nelson, and Fry, IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS 2008) |
2007 |
L'Image ramifiée: Le Photographique du Web (French) Élène Tremblay (Editor) with Bardini, Frenkel, Kroker, Lalonde, & Lamontagne, Éditions J'ai VU |
2007 |
Multimedia Histories: From the Magic Lantern to the Internet James Lyons and John Plunkett, University of Exeter Press |
2007 |
Seeing Animals at the Zoo (Exhibition Catalog) Matthew Brower, InterAceess Electronic Media Arts Centre |
2007 |
Interact or Die (Exhibition Catalog) Joke Brouwer, Arjen Mulder, Brian Massumi, Detlef Mertins, Lars Spuybroek. V2_Publishing-NAi Uitgevers |
2007 |
Shared Authorship: Dispersal of the Artist in Electronic Fields Raivo Kelomees, Kunstiteaduslikke Uurimusi, Issue 3 |
2007 |
Brains, Selves and Spirituality in the History of Cybernetics Andrew Pickering, Max Planck Institute for History of Science, Berlin |
2007 |
AfroGEEKS: Beyond the Digital Divide Anna Everett, Amber J. Wallace (Editors), Center for Black Studies Research, University of California |
2007 |
Screen- und Interfacedesign: Gestaltung und Usability für Hard- und Software (German) Torsten Stapelkamp, Springer |
2006 |
"Biocomponents: Bringing Life to Engineering" in Ingenia (Issue 27) Peter Moar, The Journal of the Royal Academy of Engineering |
2006 |
Animal Controlled Computer Games Wim van Eck and Maarten H. Lamers, Springer Berlin / Heidelberg |
2006 |
The Roads In-Between: Causeways and Polyagentive Networks John Normark, Göteborg University |
2006 |
Pervasive Interaction - Designing Interactive Pervasive Systems For Complex Work Environments Thomas Riisgaard Hansen, University of Aarhus |
2005 |
Phatic (Dys)functions: The Shifting Contour of the TV Screen by Gary Genosko in Images and Imagery: Studies on Themes and Motifs in Literature Leslie / Corrado / Ernesto (Editors) Peter Lang Publishing |
2005 |
Créatures hybrides : des blattes font office de pilotes high-tech (French) Hybrid Creatures: Kakerlaken als Hightech-Piloten (German) Jens Hauser, September 2005, Arte |
2005 |
Hybrid: Living in Paradox (Exhibition Catalog) Gerfried Stocker & Christine Schöpf (Editors), Hatje Cantz |
2005 |
Roboter: Geschichte, Technik, Entwicklung (German) Robots. Genese d'un peuple artificiel (French) Robots: From Science Fiction to Technological Revolution (English) Daniel Ichbiah, Knesebeck Verlag / Editions Minerva |
2005 |
A Better Robot, With Help From Roaches John Schwartz, The New York Times, June 6th 2005 |
2005 |
Creativity & Cognition Linda Candy and Ernest A. Edmonds, Association for Computing Machinery Press |
2005 |
A Strange Dance: The Creative Collaborative Origins & Processes of "9 Evenings: Theatre & Engineering" Robin Oppenheimer, ACM Press |
2005 |
Jennicam, or the Telematic Theatre of a Real Life Barry Smith, International Journal of Performance Arts and Digital Media, Volume 1 Issue 2, Intellect |
2005 |
Make: Technology on Your Time, Volume 2 Mark Frauenfelder, O'Reilly Press |
2004 |
Internet Art (World of Art) Rachel Greene, Thames & Hudson |
2004 |
The Body and the Screen: Theories of Internet Spectatorship Michele White, MIT Press |
2004 |
The Laws of Cool: Knowledge Work and the Culture of Information Alan Liu, University of Chicago Press |
2004 |
Selbst/Reflexionen: von der Leinwand bis zum Interface (German) Matthias Steinle & Burkhard Röwekamp, Schüren Verlag Marburg |
2003 |
Information Arts: Intersections of Art, Science, and Technology Stephen Wilson, MIT Press |
2003 |
Twitch (Exhibition Catalog) Risa Horowitz (Editor), Steve Dietz & Jennifer Woodbury, Ace Art Inc. |
2001 |
The Origin and Development of Robotic Art: Towards a Chronology of Robotic Art Eduardo Kac, Convergence 7:1, University of Luton Press |
2001 |
Toward a Third Culture: Being In Between Victoria Vesna, Leonardo 34.2, MIT Press |
2001 |
Transmigratory Moves: Dance in Global Circulation Janice D. LaPointe-Crump, Congress on Research in Dance, Volume 1 |
2001 |
Ghost Town: Judy Bowyer, Garnet Hertz, Monique Martin, Terry O'Flanagan, Ian Rawlinson (Exhibition Catalog) George Moppett, Mendel Art Gallery |
2000 |
Eden by Wire: Webcameras and the Telepresent Landscape Thomas J. Campanella, in Goldberg's "The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet" (MIT Press) and Mirzoeff's "The Visual Culture Reader" (Routledge) |
2000 |
Tele-Agency: Telematics, Telerobotics, and the Art of Meaning Edward A. Shanken, Art Journal 59:2 |
2000 |
Web Work: A History of Internet Art Rachel Greene, ARTFORUM 38 |
2000 |
The Question Concerning Humanity: Obsolete Bodies and (Post)Digital Flesh Bernd Herzogenrath, Enculturation, Vol. 3, No. 1 |
2000 |
Networked Public Spaces: An Investigation into Virtual Embodiment (Dissertation) Victoria Vesna, University of Wales College, Newport |
1999 |
Interactive Strategies of Network Art Elisa Giaccardi, CADE '99 Proceedings, University of Teesside |
1999 |
Interaktivität - Wer mit Wem ? / Theorien zur Interaktivität & Interpassivität (German) Stephan Schröder, GRIN Verlag |
1998 |
Evolvendo - Esperienze di Network Art in Atto sul World Wide Web (Italian) Elisa Giaccardi, University of Turin |
1997 |
With the Desktop as a Canvas Matthew Mirapaul, The New York Times, 1997 December 18 |
PRESS |
|
ongoing |
The New York Times, Popular Science, Wired, L.A. Times, USA Today, MSNBC, NPR, PBS, CBC, TV Tokyo, ORF, Deutsche Wella, Arte (Paris), Associated Press, Make Magazine, Discovery Channel, Science Channel, Car & Driver, Popular Science, Artforum, London Times, I.D. Magazine, The Creators Project, and CNN Headline News. Assorted press in Australia, Austria, Belarus, Belgium, Brazil, Canada, China, Denmark, England, France, Germany, Hong Kong, Iceland, Ireland, Israel, Italy, Japan, Korea, Malaysia, Mexico, Netherlands, Norway, Singapore, Spain, Sweden, Switzerland, Turkey, United States. Over thirty interviews on television, radio and film. |
JURIES / REVIEWING |
|
2018 |
SIGCHI Conference on Human Factors in Computing Systems (CHI '19) (Reviewer) |
2017 |
ACM Creativity and Cognition Conference (Reviewer) |
2016 |
Leonardo / SIGGRAPH 2016 Art Papers (Juror) |
2015 |
Unstable Signal: Glitch Video - VIVO Media Arts Centre (Juror) |
2015 |
International Conference on Tangible, Embedded and Embodied Interaction (TEI 2016) (Reviewer) |
2014 |
SIGCHI Conference on Human Factors in Computing Systems (CHI '15) (Reviewer) |
2012 |
SIGCHI Conference on Human Factors in Computing Systems (CHI '13) (Reviewer) |
2012 |
IndieCade 2012 - International Festival of Independent Games (Juror) |
2011 |
IndieCade 2011 - International Festival of Independent Games (Juror) |
2011 |
International Journal of Learning and Media - MIT Press (Manuscript Reviewer) |
2011 |
SIGCHI Conference on Human Factors in Computing Systems (CHI '12) (Reviewer) |
2011 |
13th International Conference on Ubiquitous Computing, ACM (Reviewer) |
2010 |
Theory, Culture & Society - Sage Publications (Manuscript Reviewer) |
2009 |
Los Angeles International Airport (Art / Mobile Media Advisor) |
2008 |
Saskatchewan Arts Board (Juror) |
2001 |
NextFest Digital Motion Picture Festival (Juror) |
2000 |
Saskatchewan Arts Board (Juror) |
COMMITTEES |
|
current |
Media Archaeology Lab, University of Colorado at Boulder (Advisory Board Member) |
2017 |
National Portfolio Review Day 2017, Emily Carr University of Art + Design (Reviewer) |
2014-2017 |
Research Ethics Board, Emily Carr University of Art + Design (Board Member) |
2016 |
National Portfolio Review Day 2016, Emily Carr University of Art + Design (Reviewer) |
2016 |
SIGGRAPH 2016 Art Papers Jury / Leonardo (MIT Press) |
2015 |
Art Center College of Design, Institute of Museum and Library Services Sparks Ignition Grants for Libraries (Project Advisor) |
2015 |
The University of Texas at Dallas: School of Arts, Technology, and Emerging Communication (Tenure Review Committee) |
2014 |
Curriculum & Instruction, Orange County Department of Education (Design Team Consultant) |
2011 |
Minor for Civic and Community Engagement, University of California Irvine (Faculty Advisory Committee) |
2007 |
Soil Digital Media Suite (Board Member) |
2002 |
SNMDA (Board Member) |
2001 |
Graphic Designers of Canada (Regional President) |
2001 |
Video Vérité Electronic Media Arts Centre (Board Member) |
CURATORIAL |
|
2004-2014 |
Dorkbot SoCal (Founder & Organizer). Monthly meeting of Southern Californian electronic artists, hackers, and theorists. Presenters have included Tom Jennings (World Power Systems), Mark Allen and Sky Frostenson (c-level / Waco Resurrection), Beverly Tang (Rhizome.LA / Sublimina), Lucas Kuzma (UCLA), Paul Yarin (Blackdust / RealSimSystems), Perry Hoberman (USC), Dan Novy (Flash Film Works), Spot Draves (Electric Sheep), Doug Goodwin (Reactive System), Ryan Schoelerman (elint arts lab), Annina Ruest (t-t-trackers.net), Schoenerwissen/OfCD, Andreas Schlegel (Lasalle College of the Arts, Singapore), Daniel Sauter (University of Illinois at Chicago, School of Art and Design), Janet Hansen (Enlighted Designs), Brett Stalbaum (UCSD), Paula Poole (paintersflat.com), Neil Kearns, Marcos Novak (UCSB), August Black (UCSB), Dan Overholt (UCSB), Julian Bleecker (USC), Peter Brinson (USC), Phil Stearns (CalArts), Jay Mark Johnson, Jonah Brucker-Cohen (Trinity College Dublin), Casey Reas (UCLA), Mark Daggett (Radical Software Group), Naomi Spellman (UCSD), Michael Lew (MIT Media Lab Europe), Samuel Coniglio (Space Tourism Society), Jennifer Silbert (3form Architectural), Tod E. Kurt (Hacking Roomba), Mark Frauenfelder (Boing Boing / Make Magazine), Jed Berk (Art Center College of Design), Philip Ross, Suzanne Stefanac (Digital Content Lab at the American Film Institute), Allison de Fren (USC / alt.sex.fetish.robots), Greg Elliott (UCI), Simon Penny (UCI), Mr. Jalopy (Hooptyrides / MAKE Magazine), Bob Blackstock (Laminar Sciences), Eric Kurland, Ray Zone (ray3dzone.com), John A. Rupkalvis (StereoScope International), Dave Bullock (eecue), Rama Hoetzlein (UCSB), Damon Seeley (Electroland), Thomas Edwards (Dorkbot DC), Gilad Lotan (ITP), Steven Gentner (RoboRealm), Gil Kuno (UCLA), Brett Doar (UCI), Jerrold Ridenour & Anthony Magnetta (Nerd Droid), Tom Koch (univac), Kevin Mack, David Guttman, Brian Evans (Metropolitan State College of Denver), Deborah Aschheim, Brian O'Connor, Eric Gradman & Brent Bushnell (Mindshare Labs), and Dan Goods (NASA Jet Propulsion Laboratory), Jeremy Douglass (playpower.org), John Arroyo (remixin.com), Norman Klein (CalArts / Art Center), Tim Durfee (Art Center), Xuan "Sean" Li (UCSD), Jody Zellen, Heather Knight (Personal Robots Group, MIT Media Lab), Todd Margolis (UCSD), Joachim Gossmann (UCSD), Dane Picard (danepicard.com), MluM (Long Beach / Singapore), David Resnick (UCI), Theron Trowbridge (CRASH Space), Kevin Nelson (Nexus Group), Ric Turner (Disney Imagineering), Michael Wilson & Chris Weisbart (Natural History Museum of Los Angeles), Lewis Keller (CalArts), Christopher O'Leary (UCLA), Alex Braidwood (Art Center), Karl Lautman, John Carpenter (Loyola Marymount), Jeremy Rotsztain (NYU ITP), Xtine Borrough (CSUF), Carlyn Maw (Crash Space), Jim Jenkins (CSUF), Sean Bonner (Metroblogging), John Carpenter (Oblong), Erik Loyer (Alliance for Networking Visual Culture), Jody Zellen. |
2010 |
Design Dialogues: Computation After New Media, Media Design Program, Art Center College of Design. This lecture series explores key concepts in computational media to empower individuals to imagine, collaborate, provoke, and prototype through computing. As a result of its widespread adoption, digital media has transitioned from "new media" to a ubiquitous part of contemporary life. This shift from novelty to familiarity has considerable ramifications for academic institutions working in the fields of media arts and digital culture. Exploring the formal potentials of information and networked technologies is no longer of significant interest: information technologies need to be understood as an embedded part of culture and history. Digital cultural practices must also work to extend their parent disciplines, including the studio arts, media history and theory, design, computer science and engineering. Each speaker in the "Computation After New Media" series will focus on one word - a single term they feel is a core part of their work within the framework of computation. These lectures will be aimed at exploring the underlying structures of computationalism, providing an important leverage into the philosophy, languages, and principles of digital media. Speakers unclude Sharon Daniel (UCSC), Eddo Stern (UCLA), Paul Dourish (UCI), George Legrady (UCSB), Casey Reas (UCLA) and Celia Pearce (Georgia Tech). |
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