 |
Name: GARNET HERTZ Homepage: http://www.conceptlab.com Bio: Garnet Hertz is an interdisciplinary artist, Fulbright Scholar and doctoral candidate in Visual Studies at UC Irvine. He also holds an MFA from the Arts Computation Engineering program at UCI, has completed UCI's Critical Theory Emphasis and is currently an affiliate of the Laboratory for Ubiquitous Computing and Interaction in the Department of Informatics. His dissertation research explores the creative, historical and cultural advantages of reusing obsolete information technologies in the media arts, and uses these examples to construct a critical theory of a cluster of related activities: circuit bending, D.I.Y., critical design and media archaeology. He has shown his work at several notable international venues in eleven countries including Ars Electronica, DEAF and SIGGRAPH and was awarded the prestigious 2008 Oscar Signorini Award in robotics. He is founder and director of Dorkbot SoCal, a monthly Los Angeles-based DIY lecture and workshop series on electronic art and design. His research is widely cited in academic publications, and popular press on his work has disseminated through 25 countries including The New York Times, Wired, The Washington Post, NPR, USA Today, NBC, CBS, TV Tokyo and CNN Headline News. |
EDUCATION |
|
current |
PhD Program in Visual Studies, University of California Irvine Concentration: Technocultural studies, media theory and interdisciplinary arts practice. Dissertation: This research takes an inverted stance to new media studies by looking at contemporary media artists that intentionally use obsolete media - outdated and "dead" information technologies - in their work. In the process, these examples are used as tools to understand the creative, historical and cultural advantages of reuse. A critical theory of a cluster of related activities is built, including circuit bending, D.I.Y., and media archaeology. Expected Completion: Summer 2009 (currently ABD). Advisors: Mark Poster (Media Theory & Intellectual History), Peter Krapp (Film & Media Studies). Committee members: Robert Nideffer (Interdisciplinary Arts), Cecile Whiting (Art History). |
2005 |
Master of Fine Arts in Arts Computation Engineering, University of California Irvine Concentration: Technology, art and robotics: "Animal-Machine" (199 page thesis) Project: Cockroach Controlled Mobile Robot Advisors: Simon Penny (Arts Computation Engineering), Mark Poster (Media Theory & Intellectual History), David Reinkensmeyer (Mechanical Engineering), Antoinette LaFarge (Studio Arts). |
2005 |
Critical Theory Emphasis Graduate Program, University of California Irvine |
1997 |
BFA, Studio Art (Magna Cum Laude), University of Saskatchewan, Canada |
SELECTED EXHIBITIONS |
|
forthcoming |
Studio D'Ars (Solo Exhibition) Curated by Cristina Trivellin and Martina Coletti, Milan, Italy |
2008 |
Robotic Art - Studio D'Ars Oscar Signorini Prize Exhibition, with Haakon Faste & Shih Chieh Huang Curated by Cristina Trivellin and Martina Coletti, Milan, Italy |
2008 |
Evolution Haute Couture: Art and Science in the Post-Biological Age, curated by Dmitry Bulatov Moscow International Film Festival, Russia |
2007 |
Dutch Electronic Art Festival, DEAF07 Rotterdam, Netherlands |
2007 |
ZOO, with Amy Youngs & Ingrid Bachmann InterAccess, Toronto, Canada |
2007 |
Emergent Reaction, with Casey Reas, Simon Penny & Peter Cho San Luis Obispo, California, USA |
2006 |
STRP Festival Eindhoven, Netherlands |
2006 |
Latitude 53 Edmonton, Canada |
2005 |
The Art Formerly Known as New Media, curated by Sarah Cook & Steve Dietz Walter Phillips Gallery, Banff, Canada |
2005 |
Hybrid Creatures and Paradox Machines, directed by Gerfried Stocker Ars Electronica 2005, Linz, Austria |
2005 |
ArtBots 2005, curated by Douglas Repetto, Michael John Gorman, & Marie Redmond SJMC / The Ark, Dublin, Ireland |
2005 |
Hybrid Vigor 2005, organized by Simon Penny Beall Center for Art & Technology, Irvine, USA |
2004 |
Control and Communication in the Animal and the Machine (Solo Exhibition) Machine Project, Los Angeles, USA |
2004 |
Guerilla Studio Siggraph 2004, Los Angeles, USA |
2004 |
Hybrid Vigor, organized by Simon Penny Beall Center for Art & Technology, Irvine, USA |
2003 |
Twitch, curated by Risa Horowitz, with David Rokeby Ace Art Inc., Winnipeg, Canada |
2003 |
The Uncanny: Experiments in Cyborg Culture, curated by Bruce Grenville, with Duchamp, Muybridge, Picasso & Stelarc Mendel Art Gallery, Saskatoon, Canada |
2003 |
Posthuman System #1: Cockroach with Wireless Video, curated by Brenda Cleniuk (Solo Exhibition) Neutral Ground Gallery, Regina, Canada |
2002 |
Reload, curated by Hayal Pozanti & Mehmet Sinan Istanbul Contemporary Art Museum, Istanbul, Turkey |
2001 |
Ghost Town, curated by Gilles Hébert, Dan Ring, George Moppett, Noreen Neu, & Alexandra Stratulat Mendel Art Gallery, Saskatoon, Canada |
2001 |
Eyesyrup, curated by Neil Zakiewicz CADE 2001, Glasgow, Scotland |
2001 |
Pacemaker (exploring relationships through the computer interface), curated by Mary Cross Ed Video Media Arts Centre, Guelph, Canada |
1998 |
Digital Documentary, curated by Steve Dietz pARTs Photographic Arts, Minneapolis, USA |
1998 |
Arts Électioniques, 1re Biennale de Montréal, curated by Sylvie Parent Montréal, Canada |
1998 |
Cyberarts 98: .NET Participant, jurors: Broeckmann, De Kerckhove, Gehorsam, Ito, Simon Ars Electronica 1998, Linz, Austria |
1998 |
Imagina 98 Monaco |
1997 |
Desktop IS, directed by Alexei Shulgin www.easylife.org/desktop/ |
1997 |
Incomplete Dislocations, curated by Liz Mac Dougall, Andreas Guibert, Julie Lapalme, & Bob Rogers Eye Level Gallery, Halifax, Canada |
1997 |
Web Projects, curated by Frank Teksum Atelier Nord, Oslo, Norway |
1996 |
Stretching the Negative, coordinated by Brenda Pelkey Gordon Snelgrove Gallery, Canada |
1995 |
Emporium (Solo Exhibition) AKA Gallery, Canada |
1995 |
Art on Site, curated by Brenda Burne Site specific installation, Saskatoon, Canada |
1995 |
TV/Grow (Solo Exhibition) AKA Gallery, Canada |
1995 |
Furniture Works AKA Gallery, Canada |
1994 |
Staging Identities Gordon Snelgrove Gallery, Canada |
1993 |
Organization of Saskatchewan Arts Councils, curated by Tim Nowlin Touring Exhibition, Canada |
1993 |
Bookworks Exhibition International, curated by Dik Campbell AKA Gallery, Canada |
AWARDS / GRANTS |
|
2008 |
25th Oscar Signorini Prize, Fondazione D'Ars Oscar Signorini Onlus, Milan, Italy |
2008 |
University of California Irvine, Dean of Humanities Research & Travel Award |
2007 |
Honorable Mention, Vida 9.0 Art & Artificial Life International Competition, Fundación Telefónica, Madrid, Spain |
2007 |
University of California Irvine, Dean of Humanities Research & Travel Award |
2006 |
California Institute for Telecommunications and Information Technology, Emulex Fellowship |
2006 |
University of California Humanities Research Institute, SECT 2006 Grant |
2005 |
Audience Choice Award, ArtBots 2005, Dublin, Ireland |
2005 |
The Canada Council for the Arts, Media Arts Travel Grant |
2005 |
The Saskatchewan Arts Board, Visual Arts Creative Production Grant |
2005 |
California Institute for Telecommunications and Information Technology, Emulex Fellowship |
2005 |
University of California Irvine, School of Humanities Regents' Fellowship |
2003 |
California Institute for Telecommunications and Information Technology, Research Fellowship |
2003 |
University of California Irvine Arts Computation Engineering Graduate Program, Academic Fellowship |
2003 |
Canada-U.S. Fulbright Program Foundation, Graduate Student Program Scholarship |
2002 |
The Canada Council for the Arts, Media Arts Production Grant |
2002 |
The Canada Council for the Arts, Media Arts Travel Grant |
2002 |
The Saskatchewan Arts Board, Media Arts Professional Development Grant |
1998 |
Award: Today's 10 Most Innovative Sites, IMAGINA 98, Monaco |
1997 |
The Saskatchewan Arts Board, Visual Arts Creative Production Grant |
1997 |
University of Saskatchewan, BFA Distinguished Exhibition Award |
TEACHING EXPERIENCE |
|
2009 |
Guest Critic: Graduate Media Design Program Art Center College of Design, Pasadena, California |
2009 |
Teaching Assistant: Computer Games as Art, Culture, and Technology University of California Irvine, Department of Undergraduate Education (Interdisciplinary) |
2008 |
Teaching Assistant: Computer Games as Art, Culture, and Technology University of California Irvine, Department of Undergraduate Education (Interdisciplinary) |
2007 |
Teaching Assistant: Computer Games as Art, Culture, and Technology University of California Irvine, Department of Undergraduate Education (Interdisciplinary) |
2006 |
Teaching Assistant: Computer Games as Art, Culture, and Technology University of California Irvine, Department of Undergraduate Education (Interdisciplinary) |
2002 |
Adjunct Professor: Introduction to Digital Media University of Regina, Department of Media Production and Studies |
2002 |
Instructor: HTML Code Soil Digital Media Suite |
2002 |
Instructor: Typeface Workshop Graphic Designers of Canada, SKN |
2000 |
Instructor: Desktop Publishing Using Adobe Photoshop Saskatchewan Institute of Applied Science and Technology, Kelsey Campus |
1996 |
Instructor: Introduction to Adobe Photoshop 3.0 The Photographer's Gallery |
GUEST LECTURES |
|
forthcoming |
Nokia Design, Design Strategic Projects Studio |
2009 |
University of Southern California, School of Cinematic Arts, Interactive Media Division |
2009 |
University of California Santa Barbara, Media Arts and Technology Graduate Program |
2008 |
University of Saskatchewan, Department of Art & Art History, Canada |
2007 |
Concordia University, Montréal, Canada |
2006 |
University of California San Diego, Interdisciplinary Computing in the Arts Lecture Series |
2006 |
Dorkbot Eindhoven, in conjunction with STRP Festival (Netherlands) |
2006 |
University of California Irvine, Emulex Fellows Lecture Series |
2006 |
University of California Irvine, Department of Dance |
2006 |
University of California Irvine, School of Engineering (EECS) |
2006 |
University of California Irvine, Informatics (Paul Dourish Research Group) |
2005 |
University of California Irvine, Department of Film & Media Studies |
2005 |
IEEE Sensors 2005: The 4th Institute of Electrical and Electronics Engineers International Conference on Sensors |
2005 |
California State University Long Beach, Art Department |
2005 |
University of Saskatchewan, Department of Computer Science Human Computer Interaction Lab |
2004 |
Dorkbot San Francisco, with demo at Survival Research Labs |
2004 |
University of California San Diego, Department of Visual Arts / Interdisciplinary Computing and the Arts |
2002 |
University of Regina, Department of Visual Art |
2002 |
University of Saskatchewan, Department of Commerce |
2001 |
University of Saskatchewan, Department of Art and Art History |
2001 |
InterAccess Electronic Media Arts Centre |
2000 |
University of Saskatchewan, Department of Engineering |
CONFERENCE PRESENTATIONS |
|
2009 |
BIL2009: Where Is My Cyborg Self? California State University Long Beach, USA |
2008 |
CAA2008: College Art Association 96th Annual Conference Dallas, Texas, USA |
2008 |
GSFIR 2008: Forum on Interdisciplinary Research CalIT2, University of California Irvine, USA |
2007 |
Epicenter: University of California Digital Arts Research Network University of California Riverside, USA |
2007 |
GSFIR 2007: Forum on Interdisciplinary Research CalIT2, University of California Irvine, USA |
2005 |
Defense: Models, Strategies, Media. Organized by Peter Krapp, Felicity Scott, and Beatriz da Costa University of California Irvine, USA |
2002 |
ArtSci2002. Hosted by Art & Science Collaborations, Inc., The American Museum of Natural History & the Graduate Center of the City University of New York CUNY, New York City, USA |
2002 |
Bridges II International Consortium for the Study and Exploration of Interdisciplinary Collaborative Processes in Art, Culture, Science and Technology Banff New Media Institute, Canada |
2002 |
Crossing Over: Negotiating Specialization in an Interdisciplinary Culture University of Regina, Canada |
PUBLICATIONS |
|
2005 |
Animal-Machine Masters Thesis, Arts Computation Engineering, University of California Irvine |
2002 |
Interview with Steve Dietz BlackFlash - Canadian Journal of Photo-based and Electronic Art Production |
2002 |
E.A.T.: An Interview with Billy Kluver Linda Candy and Ernest Edmonds, eds. Explorations in Art and Technology. London: Springer-Verlag |
2002 |
Le Parrain de l'art et de la technologie: un entretien avec Billy Kluver du groupe E.A.T. (Translated by Kathleen Goggin and Pierre Robert) Archée Cybermensuel |
1996 |
Editor, Fusion The Electronic Journal of the Art and Technology Society International |
SELECTED CITATIONS |
|
forthcoming |
An Insect Theory of Media: An Archaeology of Animals, Technology and Cultural Theory Jussi Parikka, University of Minnesota Press |
forthcoming |
Border Patrol: Artists Working at the Frontiers of Science and Technology Stephen Wilson, Thames and Hudson |
forthcoming |
Sketches of Another Future: The Cybernetic Brain, 1940-2000 Andrew Pickering, University of Chicago Press |
2009 |
Beyond Biomimetics: Towards Insect/Machine Hybrid Controllers for Space Applications Antonella Benvenuto et al., Advanced Robotics, Volume 23, Numbers 7-8, VSP |
2009 |
Beyond Design: Cybernetics, Biological Computers and Hylozoism Andrew Pickering, Synthese 168:469Ð491, Springer |
2009 |
The Companion to the Philosophy of Technology Jan Kyrre Berg Olsen, Stig Andur Pedersen, Vincent F. Hendricks (editors), Blackwell Press |
2009 |
Art and Electronic Media (Themes & Movements) Edward A. Shanken, Phaidon Press |
2008 |
Biologically Inspired Robots (Springer Handbook of Robotics) Jean-Arcady Meyer and Agnès Guillot, Springer Berlin Heidelberg |
2008 |
Six-Legged Soldiers: Using Insects as Weapons of War Jeffrey A Lockwood, Oxford University Press |
2008 |
Die Tryin': Videogames, Masculinity, and Culture (Popular Culture and Everyday Life) Derek A. Burrill, Peter Lang Publishing |
2008 |
Machine/Animal Hybrid Controllers for Space Applications Antonella Benvenutoa, Giovanni Di Pinoa, Fabrizio Sergia, Domenico Campoloa, Dino Accotoa, Giovanni Assenzab, Paolo Maria Rossinib and Eugenio Guglielmelli, European Space Agency |
2008 |
Machine Project Almanac Mark Allen, Lulu Press |
2007 |
L'Image ramifiée: Le Photographique du Web (French) Élène Tremblay (ed) with Bardini, Frenkel, Kroker, Lalonde, & Lamontagne, Éditions J'ai VU |
2007 |
Multimedia Histories: From the Magic Lantern to the Internet James Lyons and John Plunkett, University of Exeter Press |
2007 |
Seeing Animals at the Zoo (Exhibition Catalog) Matthew Brower, InterAceess Electronic Media Arts Centre |
2007 |
Shared Authorship: Dispersal of the Artist in Electronic Fields Raivo Kelomees, Kunstiteaduslikke Uurimusi, Issue 3 |
2007 |
Brains, Selves and Spirituality in the History of Cybernetics Andrew Pickering, Max Planck Institute for History of Science, Berlin |
2007 |
Screen- und Interfacedesign: Gestaltung und Usability für Hard- und Software (German) Torsten Stapelkamp, Springer |
2006 |
"Biocomponents: Bringing Life to Engineering" in Ingenia (Issue 27) Peter Moar, The Journal of the Royal Academy of Engineering |
2006 |
Animal Controlled Computer Games Wim van Eck and Maarten H. Lamers, Springer Berlin / Heidelberg |
2006 |
The Roads In-Between: Causeways and Polyagentive Networks John Normark, Göteborg University |
2005 |
Créatures hybrides : des blattes font office de pilotes high-tech (French) Hybrid Creatures: Kakerlaken als Hightech-Piloten (German) Jens Hauser, September 2005, Arte |
2005 |
Hybrid: Living in Paradox (Exhibition Catalog) Gerfried Stocker & Christine Schöpf (eds), Hatje Cantz |
2005 |
Roboter: Geschichte, Technik, Entwicklung (German) Robots. Genese d'un peuple artificiel (French) Robots: From Science Fiction to Technological Revolution (English) Daniel Ichbiah, Knesebeck Verlag / Editions Minerva |
2005 |
A Better Robot, With Help From Roaches John Schwartz, The New York Times, June 6th 2005 |
2005 |
Creativity & Cognition Linda Candy and Ernest A. Edmonds, Association for Computing Machinery Press |
2005 |
A Strange Dance: The Creative Collaborative Origins & Processes of "9 Evenings: Theatre & Engineering" Robin Oppenheimer, ACM Press |
2005 |
Jennicam, or the Telematic Theatre of a Real Life Barry Smith, International Journal of Performance Arts and Digital Media, Volume 1 Issue 2, Intellect |
2004 |
Internet Art (World of Art) Rachel Greene, Thames & Hudson |
2004 |
The Body and the Screen: Theories of Internet Spectatorship Michele White, MIT Press |
2004 |
The Laws of Cool: Knowledge Work and the Culture of Information Alan Liu, University of Chicago Press |
2003 |
Information Arts: Intersections of Art, Science, and Technology Stephen Wilson, MIT Press |
2003 |
Twitch (Exhibition Catalog) Risa Horowitz (ed.), Steve Dietz & Jennifer Woodbury, aceartinc. |
2001 |
The Origin and Development of Robotic Art: Towards a Chronology of Robotic Art Eduardo Kac, Convergence 7:1, University of Luton Press |
2001 |
Toward a Third Culture: Being In Between Victoria Vesna, Leonardo 34.2, MIT Press |
2001 |
Transmigratory Moves: Dance in Global Circulation Janice D. LaPointe-Crump, Congress on Research in Dance |
2001 |
Ghost Town George Moppett, Mendel Art Gallery |
2000 |
Eden by Wire: Webcameras and the Telepresent Landscape Thomas J. Campanella, in Goldberg's "The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet" (MIT Press) and Mirzoeff's "The Visual Culture Reader" (Routledge) |
2000 |
Tele-Agency: Telematics, Telerobotics, and the Art of Meaning Edward A. Shanken, Art Journal 59:2 |
2000 |
Web Work: A History of Internet Art Rachel Greene, ARTFORUM 38 |
2000 |
The Question Concerning Humanity: Obsolete Bodies and (Post)Digital Flesh Bernd Herzogenrath, Enculturation, Vol. 3, No. 1 |
2000 |
Networked Public Spaces: An Investigation into Virtual Embodiment (Dissertation) Victoria Vesna, University of Wales College, Newport |
1999 |
Interactive Strategies of Network Art Elisa Giaccardi, CADE '99 Proceedings, University of Teesside |
1999 |
Interaktivität - Wer mit Wem ? / Theorien zur Interaktivität & Interpassivität (German) Stephan Schröder, GRIN Verlag |
1998 |
Evolvendo - Esperienze di Network Art in Atto sul World Wide Web (Dissertation) Elisa Giaccardi, University of Turin |
1997 |
With the Desktop as a Canvas Matthew Mirapaul, The New York Times, 1997 December 18 |
PRESS SYNOPSIS |
|
ongoing |
The New York Times, Wired, L.A. Times, USA Today, MSNBC, NPR, PBS, CBC, TV Tokyo, ORF, Deutsche Wella, Arte (Paris), Associated Press, Make Magazine, Discovery Channel, Science Channel, Artforum, London Times, I.D. Magazine, and CNN Headline News. Assorted press in Australia, Austria, Belarus, Belgium, Brazil, Canada, China, Denmark, England, France, Germany, Hong Kong, Iceland, Ireland, Israel, Italy, Japan, Malaysia, Mexico, Netherlands, Norway, Singapore, Spain, Sweden, Switzerland, Turkey, United States. Over thirty interviews on television, radio and film. |
LECTURE SERIES ORGANIZATION |
|
current |
Dorkbot SoCal (Founder & Organizer). Monthly meeting of Southern Californian electronic artists, hackers, and theorists. Presenters have included Tom Jennings (World Power Systems), Mark Allen and Sky Frostenson (c-level / Waco Resurrection), Beverly Tang (Rhizome.LA / Sublimina), Lucas Kuzma (UCLA), Paul Yarin (Blackdust / RealSimSystems), Perry Hoberman (USC), Dan Novy (Flash Film Works), Spot Draves (Electric Sheep), Doug Goodwin (Reactive System), Ryan Schoelerman (elint arts lab), Annina Ruest (t-t-trackers.net), Schoenerwissen/OfCD, Andreas Schlegel (Lasalle College of the Arts, Singapore), Daniel Sauter (University of Illinois at Chicago, School of Art and Design), Janet Hansen (Enlighted Designs), Brett Stalbaum (UCSD), Paula Poole (paintersflat.com), Neil Kearns, Marcos Novak (UCSB), August Black (UCSB), Dan Overholt (UCSB), Julian Bleecker (USC), Peter Brinson (USC), Phil Stearns (CalArts), Jay Mark Johnson, Jonah Brucker-Cohen (Trinity College Dublin), Casey Reas (UCLA), Mark Daggett (Radical Software Group), Naomi Spellman (UCSD), Michael Lew (MIT Media Lab Europe), Samuel Coniglio (Space Tourism Society), Jennifer Silbert (3form Architectural), Tod E. Kurt (Hacking Roomba), Mark Frauenfelder (Boing Boing / Make Magazine), Jed Berk (Art Center College of Design), Philip Ross, Suzanne Stefanac (Digital Content Lab at the American Film Institute), Allison de Fren (USC / alt.sex.fetish.robots), Greg Elliott (UCI), Simon Penny (UCI), Mr. Jalopy (Hooptyrides / MAKE Magazine), Bob Blackstock (Laminar Sciences), Eric Kurland, Ray Zone (ray3dzone.com), John A. Rupkalvis (StereoScope International), Dave Bullock (eecue), Rama Hoetzlein (UCSB), Damon Seeley (Electroland), Thomas Edwards (Dorkbot DC), Gilad Lotan (ITP), Steven Gentner (RoboRealm), Gil Kuno (UCLA), Brett Doar (UCI), Jerrold Ridenour & Anthony Magnetta (Nerd Droid), Tom Koch (univac), Kevin Mack, David Guttman, Brian Evans (Metropolitan State College of Denver), Deborah Aschheim, Brian O'Connor, Eric Gradman and Brent Bushnell (Mindshare Labs), and Dan Goods (NASA Jet Propulsion Laboratory). |
RESIDENCIES / AFFILIATIONS |
|
current |
Affiliate, Laboratory for Ubiquitous Computing and Interaction Led by Paul Dourish, Don Patterson, Gillian Hayes and Bill Tomlinson. Department of Informatics, School for Information and Computer Sciences, UC Irvine. |
2007 |
Text Encoding Seminar & Workshop at UC Santa Barbara, led by Julia Flanders & Syd Bauman Organized by Alan Liu of the UC Transliteracies Project and the UCSB Early Modern Center |
2006 |
Research Fellow, California Institute of Telecommunications and Information Technology University of California Irvine |
2006 |
Research Assistant, Transliteracies Project Directed by Alan Liu as a University of California Multi-Campus Research Group on the Technological, Social, and Cultural Practices of Online Reading |
2005 |
BioTech Art Workshop by Symbiotica, led by Oron Catts and Gary Cass Organized by Beatriz da Costa, Kavita Philip and Natalie Jeremijenko |
2002 |
Soil Digital Media Suite / Neutral Ground Gallery and Artist Centre Artist in Residence, 17 month term |
1996 |
CyberStage Magazine - (Culture : Technology : Experience) Design Assistant |
1996 |
Fusion - The Journal of the Art & Technology Society International Editor |
CONSULTING / CORPORATE |
|
ongoing |
Development of over 200 multidisciplinary commercial and cultural sector design projects since 1996. Management of up to 19 full-time employees and raising of venture capital. Design formats include: web, touchscreen, CD-ROM, print, flash, video, type, information design, identity, prototype development, events, packaging, electronics, robotics, software and object/system construction. Clients include Jerry Bruckeimer Films, Disney, academia, advertising agencies, cultural industries, startups, publishing, manufacturing and electronics sectors. |
ADVISORY BOARDS |
|
2008 |
Saskatchewan Arts Board |
2007 |
Soil Digital Media Suite |
2002 |
SNMDA |
2001 |
Graphic Designers of Canada |
2001 |
Video Verite Electronic Media Arts Center |
2001 |
NextFest Digital Motion Picture Festival |
2000 |
Saskatchewan Arts Board |